nature of the appeals process that required raising the hue and cry. Gender also mattered in the formulation of a defense strategy: women rarely opted to stand mute, but those who did were in dire straits. Britton (c.12912) tells us that the accused was also to appear without irons or. beautiful women painted out-of-doors, are some of the themes depicted. The medieval evidence demonstrates that these rules developed late and were enforced at the discretion of the justices. is one of the worlds leading plein air painters according to Eric Rhodes. Historians have often assumed that medieval justices, like their early modern counterparts, did not permit silence upon appeal or treason. Distinctions were made based on venue, process, and the nature of the charge. Not only were there multiple means of standing mute, but silence only sometimes functioned as a refusal to plead. Chapter 2 speaks to the process of standing mute in the courts of medieval England, with the underlying goal of assessing the challenges an accused felon faced in negotiating the legal process sufficiently to develop a solid defense strategy. Along with performances from Kim Wilde, Belinda Carlisle, Johnny Hates Jazz & Denise Pearson, the phenomenal event will take place in Millenium Square Leeds and. Peine forte et dure was the sentence imposed on suspected felons who stood mute, that is, who refused to plead. Hue And Cry have announced that they are overjoyed to have been asked to perform at the 80s Classical open air show on 22nd July with the Orchestra of Opera North.
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